What a triumph Soulcrusher was! Massive thanks to everybody who attended this weekend! Our gratitude goes out to all the bands, crew and everybody involved making Soulcrusher 2022 one to remember.
Pictures by Paul Verhagen, Niels Vinck, Edwin Smits and Wilco Lamers.
Few bands garner the level of excitement that Amenra have in recent years. The combination of their emotive hardcore background, blackened and tortured aesthetic and exceptionally intense live shows have made them a true standout act.
Their stunning musical and artistic expression gets a bit deeper than even the best post-metal band achieve. The traditional motifs of the band impress upon us a will to survive adversity, to learn from experiences and emerge stronger, to use transcendental moments of emotional catharsis to shed our pain, stand up and rejoin life’s fray, moving forward with hope, prepared for whatever chaos has in store. Amenra’s impressive musical vision result live in rituals like no other. A soul crushing experience…
Showtime: 22 October – Red Stage – 22.50-0.00
Musical geniuses are few and far between but Norwegian loner Ihsahn definitely belongs in the latter category. Worldfamous for his prominent role in Emperor, the uncrowned kings of black metal. Now operating under his own steam, Ihsahn is making his mark as a solo musician who continues to shape extreme metal in his unique and inimitable way, his black metal roots blending effortlessly with the most complex progressive elements. The Norwegian phenomenon has impressed the world with his genius across a variety of genres for years and this will mark his debut in Nijmegen. To welcome such an amazing musician is an honor and seeing him is a must.
Showtime: 21 October – Red Stage – 21.30-22.30
Progressive post-hardcore legends Cave In have never played by anyone’s rules except their own. Rising through the ranks with the likes of Botch and Converge, they would soon push past the admittedly loose shackles of metallic hardcore to forge a sound and identity that remains largely without peer or parallel. Their legacy stands unblemished, and for a minute it seemed they might never add to it again.
2018 saw the tragic passing of bassist/vocalist Caleb Scofield, with 2019’s ‘Final Transmission’ – a collection of the band’s final recordings with Scofield – leaving some to wonder whether that would mark the conclusion to the Cave In story. Fortunately, it didn’t. The band has returned with ‘Heavy Pendulum’ – their first full studio record in over a decade. Sprawling across a fulsome 70-minute runtime, it’s a triumph by just about every metric one could imagine. We are honoured to welcome Cave In to Nijmegen.
Showtime: 21 October – Red Stage – 23.15-0.15
For 25 years post-hardcore band Envy have delivered a near perfect blend of heavy music, all glued together with beautiful, delicate guitar tones. The atmospherics that they create have become somewhat of a trademark for the Japanese six-piece; something they have worked hard together to create as a band.
Envy essentially started the atmospheric subgenre of blackgaze, the sound that married scraping wilderness howls to skyward surges of guitar. In doing so, Envy helped pave the way for a whole lot of other bands we are all familiar wth today. Their songs are generally pretty long swrily stretches of glassy beauty that slowly and deliberately build up to epic, souls-spiraling crescendos. Even at its harshest, Envy’s music can comfort and nourish and is best experienced live.
Showtime: 22 October – Red Stage – 21.00-22.00
Bongripper are often spoken of as the doom band’s doom band, an outfit so pure of purpose and mammoth of riff that hordes of red-eyed touring bands speak of them in hushed tones in toilet venues the world over. In the arms race between doom/sludges lairiest bastards to develop the nastiest, filthiest sound out the Americans have been stockpiling dirty riffbombs since 2006. Bongripper are true masters at their own game a have built a humble empire around it. And now they come over to Nijmegen to slowly but surely crush the stage of Doornroosje.
Showtime: 22 October – Red Stage – 19.15-20.10
Gaahl, aka Kristian Espedal, is one of the most identifiable and visionary exponents within the extreme metal genre. Gaahls Wyrd is his new project and the next chapter in the man’s immense career and it is musically nothing short of a triumph. Brilliantly combining the various sounds of post-black metal with Nordic folk influences and a solid focus on Gaahl‘s intense and dynamic vocals. An organic, breathing monster that pulls from a multitude of varying moods and feelings to conjure an suffocating atmosphere.
Showtime: 21 October – Red Stage – 19.50-20.40
Few bands have cultivated an aesthetic so perfectly matched to their sound as Unsane. One could almost use the word “elegant” to describe this marriage if it wasn’t one of such unrelenting brutality. So evocative is the NYC trio’s visual panache that it’s almost impossible to hear their muscular, bone-crunching noise rock without immediately picturing the bloodied tools and broken limbs that plague their merchandise and album artwork. Even the most cursory of dives into their back catalogue will tell you these boys are absolutely smitten with extreme violence and the results it can yield. It’s their lifeblood, their speciality and the venom which spurs the rusted machine onward. The Americans dive deep in their own oeuvre for Soulcrusher and play a special ‘old school’ setlist.
Showtime: 22 October – Red Stage – 16.00-16.50
The music of the five-piece band Ultha, hailing from Cologne, can roughly be described as a hybrid of black metal, doom and dark wave. Their new album ‘All That Has Never Been True’ is truly an emotional and captivating journey of the highest order. Where a seething nihilism has always raged through their work, feelings of pressure, despair but also clarity and resignation rise to the surface. Lyrically the band doesn’t follow any classical metal cliches, instead ruminating about the inner darkness and sadness of our human struggle to find happiness and getting lost in its failures.
Showtime: 22 October – Red Stage – 17.40-18.30
Gaerea’s music is a mindful mélange of menace and mourning, melody and malice merged into monolithic masses. It’s a mix masterfully manifested on the latest release ‘Limbo’. It’s hard to deny the appeal of smart, straightforward black metal that’s more fit for admiration than alienation. That is exactly what the Portugese band aim for. And they execute it perfectly. In an age where repetition seems to be the norm and new ideas seem to be a rare occurrence, Gaerea offers us something that is otherworldly yet cathartic and worthy of praise. And our praise they have.
Showtime: 21 October – Red Stage – 18.15-19.05
Winterfylleth from Manchester quickly gathered a following in the UK with the release of their first two albums. Their music has been dubbed ‘English Heritage Black Metal’ and evokes the glorious past of the British Isles. Razor-sharp, fast and melodious, their epic and emotionally profound compositions are marked by singing harmonies. Although not fundamentally different from their previous recordings, their latest album, ‘The Reckoning Dawnm’, is undoubtedly their best offering to date. Hearing the new stuff live will be a treat!
Showtime: 21 October – Red Stage – 16.45-17.30
In many ways all of us are migrating. To who, or from, is unique to the individual. The same goes for the music of Bossk. A metallic post-everything band from Ashford, Kent, England. Their latest album ‘Migration’ is a soundtrack to that herculean journey we all take. Haunting swirls of analog synth noise and guitars, painting an ominous and fantastic atmosphere.
The band are masters of blending the dark and light and on this album they have gone exploring, not just sonically but also to the outer reaches of the cosmos to create this monolithic crushing album. The blending of other genres into this album is much more prominent than in previous releases as evidenced by the stronger use of atmospherics, vocal samples and electronic elements. These are not mere flourishes but are deeply interwoven into the very fabric of their sound creating a sonic tapestry which will lift you up into the heavens with cosmic wonder before flattening you with a meteor of sheer heaviness.
Showtime: 22 October – Purple Stage – 22.00-22.50
Building on their previous album: ‘Dwaling’, Ggu:ll moves ayway from the conceptual approach with thier new album ‘Ex Est’. Musically more aggressive and explosive than its predecessor, the songwriting has developed towards a more stand-alone song approach. It has been a burdened journey, exploring new ground, creating new storms and trying to find a safe harbor on wild seas. In seven tracks, they present a wide spectrum of heavy music. Shifting from blackened doom, to heavy psychedelica back to noise infused torture drones. The new record will be released on October 21st, exactly the same day as their perfomance at Soulcrusher.
Showtime: 21 October – Purple Stage – 20.40-21.30
Hype is a hell of a drug, and it seems like everyone who happens upon a line of Conjurer’s mightily impressive debut can’t help but get addicted and build that train. And rightfully so, because the mix of tar-thick, charcoal-black, post-metal and d-beat-influenced, teeth-cracking intensity is sounding so immensely good that’s it is almost terrifying. The second album is on its way and we can’t wait what kind of beast that will be. The band is capable of delivering stunning live performances as well. Which sets the bar pretty high for their debut at Soulcrusher, but we are convinced the band will deliver.
Showtime: 21 October – Purple Stage – 17.30-18.15
Fast, furious and filthy, it’s a speedy, Satanic delight that exhumes the corpse of early-‘80s thrash and black metal, channelling the spirit of early Bathory, Venom and Slayer from a time when they themselves were channelling the spirit of Motörhead, and revelling in just how much of a laugh it can be to go over the speed limit for the Devil. That describes Hellripper from Scotland in a nutshell.
Hellripper are a brilliantly over-excited celebration of metallic evil that sounds easy until you’re asked to get it right yourself. More importantly, the music is entirely devoted to its wicked cause, and in doing so is infectious and energising. You will bang your head, you will slop beer everywhere, you will thrash like a maniac – Hellripper fucking rule.
Showtime: 21 October – Purple Stage – 0.15-1.00
From the shadowy desolated woods of Borlänge, Sweden and the rusting urban lechery of Amsterdam, The Netherlands comes Dödsrit, a maelstrom of soul tearing blackness and cacophony.
Whether painting landscapes of storming riffs, crescendos of pulsing intensity, or immersing mournful wails, Dödsrit’s crushing devotion to the visceral element in men and nature allured from its very inception. While rooted in the Black Metal milieu, the group’s sonic traits expand wide and beyond, from repetitive and atmospheric upsurges of misty ambiance to melancholic yet triumphant infused outbreaks, a pallet of sorts that provides this journey with an uproar of emotions. Such features find their most precise outcome on the third and new opus, ‘Mortal Coil’, a step forward in the direction of the abyss, and a definitive illustration of Dödsrit’s treacherous display of ghastly emanations for and to the strife and suffering of our feeble and dying existence.
Showtime: 22 October – Purple Stage – 20.10-21.00
Intensity. Beauty. Death. Solace. Spectral Wound is undeniably and unapologetically, black metal in its purest, most undiluted form, and it never feels like forced. The Canadian band is unrelenting, intense, captivating and crushing from start to finish. Expect your ears to be wounded by the purest black melancholy.
Showtime: 21 October – Purple Stage – 22.25-23.15
Buñuel is the sound of a difficult situation made worse by an unwillingness and an inability to play nice. If slotting it in a genre makes it easier for you to understand, just so you have something to file it under, mark it down as heavy. With a capital H. Buñuel’s amalgam of angular rhythms, drum salvos, blitzkrieging guitars and vocals that sound more like threats than promises can be filed under post-punk, proto heavy and avant-garde noise.
Named after the Spanish filmmaker Luis Buñuel, the Italian band’s newest record ‘Killers Like Us’ is the third part of a trilogy that started with ‘A Resting Place for Strangers’, and then ‘The Easy Way Out’. It’s a killer addition to the canon of good music for bad people. Eugene S. Robinson, the vocals and lyricist is also known for his work with American art terrorists Oxbow. This is going to special.
Showtime: 21 October – Purple Stage – 19.05-19.50
HIDE has been described as America’s most hellish and brutal electronic art-punk duo. They mesh pulverizing synths, aggressive percussion and defiant vocals, an uncompromising assault on the senses. The band wants to remind the listener that feelings of anxiety, pain, and discomfort are equally as important as those of resolution. It’s hard to remain unaffected by HIDE. The context, the lyrical content, and the overwhelming volume of their sound kicks and crashes through traumatic themes, providing a cathartic burst of anxious freedom.
Showtime: 22 October – Purple Stage – 18.30-19.15
There are lots of exciting things happening in UK heavy music right now, and HERIOT can be added to that list without hesitation. The brand new debut EP ‘Profound Morality’ is a very modern, post-everything piece of work. Hewn from various excoriating elements of extreme metal, hardcore, post-rock and industrial, this is a 21-minute slap to the side of the head that will have your ears ringing for days. Industrial soundscapes and ethereal vocals contrasting with HM-2 aggression creating an uncommon invention of metal. HERIOT’s character rests on a razor blade, chaotically flickering between devastation and ease. Their exploration of desolation will continue. To start with their Soulcrusher appearance.
Showtime: 22 October – Purple Stage – 0.00-0.45
Spawned from the imagination of Swedish guitarist Linnéa Olsson, Maggot Heart have made their presence felt across Europe over the past few years. Joined by Uno Bruniusson on drums (ex-In Solitude) and Olivia Airey on bass, the trio have been peddling their raucous take on noise rock ’n’ roll. Their 2020 album, ‘Mercy Machine’ catapulted them further forwards, in terms of songwriting and the impact of their gritty sounds. This is exactly the raw energy and pulsating melody that everybody has been craving for the last years.
Showtime: 22 October – Red Stage – 14.40-15.20
Bismarck has been labeled as one of the heaviest bands in Norway. Bismarck’s uncompromising, sludgy riff mantras and psychedelic escapades have been stirring things up in the Norwegian underground after the band released their acclaimed debutalbum ‘Urkraft’ in 2018. Inspired by a wide array of genres and styles from amp melting stoner doom, to 60s and 70s psychedelic rock, the Norwegian black metal they grew up with, and Middle Eastern folk music Bismarck’s music alternates between intense fuzzed out heaviness and clean, atmospheric drones, with its lyrics expounding upon Western esotericism, altered states of consciousness and a mystical apocalypse. Their second album ‘Oneiromancer’ was released in 2020. A thrilling bone crushing doom record which never had the chance to be played live outside Norway. Now it is time to end that.
Showtime: 21 October – Purple Stage – 16.50-17.40
When Oathbreaker went on hiatus a couple of years ago, guitarist Lennart Bossu found himself lacking an outlet for some of his musical ideas. That’s why he started Predatory Void with friends of his from some of Belgium’s most celebrated heavy bands, like Aborted, Carnation, Amenra… Their sonic adventurousness and the diverse vocal delivery from singer Lina make it impossible to pigeonhole the band. The brand new project is releasing the first material in a couple of days.. We can’t wait to share this. Check out Predatory Void’s first ever show at Soulcrusher on October 22nd.
Showtime: 22 October – Purple Stage – 15.20-16.05
With a shared preference for Sumac, Cult Of Luna, Amenra, Briqueville and bands alike, Erik, Marc, Patrick and Jouke decided to join forces in the fall of 2020. Having great affinity for post- and blackmetal, the band members scan the existing borders of the doom genre, thus giving their own spin to it through burdensome riffs, crushing drums and eerie vocals. The lyrical focus is on the greater philosophical, scientific and esoteric questions such as the obstacles of the psyche and the wistful prospects for mankind. A full-length record is in the making, with two singles released as a runner up in the first quarter of 2022. Right on time for Soulcrusher 2022?
Showtime: 21 October – Purple Stage – 16.00-16.45
Debut album ‘Endling’ by the Groningen band Onhoud saw the light in 2019 and it is utterly merciless and crushes everything in its path. A must for fans of long drawn out sludge and doom metal songs with desolate riffs, pounding drums, chilling synths and nihilistic lyrics. Their second record is on its way and will be presented on October 22.
Showtime: 21 October – Purple Stage – 14.00-14.40
Weekendtickets at €75 (limited): click HERE (SOLD OUT) Weekendtickets at €85 (regular): click HERE(SOLD OUT)
Friday daytickets at €45: click HERE
Saturday daytickets at €55 (limited): click HERE (SOLD OUT)
Unfortunately Messa, Cloud Rat and Pupil Slicer are not able to perform this edition of Soulcrusher. They are being replaced by Ggu:ll, Heriot and Dödsrit.
Every October (for 2022 it will be October 21 & 22) at the Doornroosje venue, Stationsplein 11, Netherlands.
Tickets are available here. If tickets are not sold out, they will also be available to purchase directly at the box-office.
Yes, you should receive a confirmation within 24 hours. Make sure to check your spam folder. If you did not receive anything or if you have any other ticketing-related issues with your order, get in touch: email@example.com.
FRIDAY 21 OCTOBER (click here for a visual)
Doors & box office open – 15.30-0.00
Cave In – 23.15-0.15
Ihsahn – 21.30-22.30
Gaahls WYRD – 19.50-20.40
Gaerea – 18.15-19.05
Winterfylleth – 16.45-17.30
Hellripper – 0.15-1.00
Spectral Wound – 22.25-23.15
Ggu:ll – 20.40-21.30
Bunuel – 19.05-19.50
Conjurer – 17.30-18.15
Ter Ziele – 16.00-16.45
SATURDAY 22 OCTOBER (click here for a visual)
Doors & box office open – 13.30-0.00
Amenra – 22.50-0.00
Envy – 21.00-22.00
Bongripper – 19.15-20.10
Ultha – 17.40-18.30
Unsane – 16.00-16.50
Maggot Heart – 14.40-15.20
Heriot – 0.00-0.45
Bossk – 22.00-22.50
Dödsrit – 20.10-21.00
HIDE – 18.30-19.15
Bismarck – 16.50-17.40
Predatory Void – 15.20-16.05
Onhou – 14.00-14.40
Yes. You will receive a stamp which allows you to leave and re-enter the venue.
Next to our regular array of beverages there is a specialty craft beer bar in the foyer of the purple stage. There is also a sandwhich bar in the café and hot meals are available between 4-8PM. Available upstairs in the café. It is not allowed to bring your own food.
There is no minimum age for the Soulcrusher festival. If you’re under 14 years old, you must be accompanied by someone over 18.
Please note the music volume can be loud and consider suitable ear protection.
Click here for an overview of hotels and accomodations in Nijmegen.
You can find all the details for parking here (in Dutch).
Make sure you get home safely, you can always share a ride or call a taxi.
It is PIN only in Doornroosje at the bar and food stands. Merchandise can be purchased with cash only, but more often also with card. There are ATM’s nearby the venue.
Yes, you can bring a basic camera without removable lenses and other accessories including monopods, selfie sticks, tripods. Please be respectful of the artists and the people around you when using your camera and turn the flash off. Professional camera’s or filming equipment are prohibited.
Selling or dealing drugs
Weapons and dangerous items
Outside food or beverages
Professional recording equipment
Professional video equipment
Doornroosje is fully accessible for wheelchairs (except for the balcony in the main room).
Yes, there is a wardrobe which is free of charge. There are also a limited amount of lockers availabe for €2.
For all issues regarding ticket orders, please check out ticket help section here. If you still have questions, get in touch: firstname.lastname@example.org.
No refunds or exchanges allowed although you can give / sell your ticket to someone else. The line-up subject to change.